The USC U.S.-China Institute hosted a discussion on American and Chinese aims and tactics in the US-China trade war as well as its impact and potential costs.
Assignment: China - USCI's series on American reporting on China
How do we know what we know about China? The images most Americans hold of China were shaped by news coverage. Our multipart documentary series Assignment: China focuses on the journalists who have described the remarkable changes in China since the 1940s. Two of the most influential moments in this history were the Nixon visit in 1972 and the Tiananmen demonstrations of 1989. Of course, China's opening up and subsequent economic rise have reshaped the world.
Photo by Jim Laurie.
English | 中文
From the barriers of language, culture and politics, to the logistical challenges of war, revolution, isolation, internal upheaval, government restrictions and changing technology, covering China has been one of the most difficult of journalistic assignments. It’s also one of the most important. For over sixty years, what American correspondents have reported about China has profoundly influenced U.S. views of the country, and the policies of successive American governments.
Interviews with these journalists are the core of Assignment: China which is illustrated by archival news footage and other images. This includes previously unseen home videos and other materials. In addition to interviews with those whose work was featured on American front pages and broadcasts, the series includes interviews with Chinese and American officials who sought to manage coverage of China or of specific events, such as Nixon’s historic 1972 trip. For several of the segments in the series, Chinese sub-titled versions are available.
Mike Chinoy, the distinguished former CNN Asia correspondent and USC U.S.-China Institute Senior Fellow, is the writer and reporter for the series. He is assisted by USCI Multimedia Editor Craig Stubing and USCI staff and students, who handle much of the logistics, research, transcription, videography, and editing. Clayton Dube conceived of the project and supervises it.
Assignment: China segments have been screened for universities and organizations across America and China and elsewhere in East Asia. The response from educators, students, officials, and the general public has been enthusiastic and positive. The films are available free of charge at our site and at our YouTube channel. We encourage their use in classrooms. We welcome your comments and hope you’ll invite others to view Assignment: China.
Many individuals and organizations have helped make this series possible. They have given generously of their time and energy, helped us unearth essential materials, guided us to invaluable sources, or provided the financial support necessary to sustain the research, travel, and technical help necessary to produce these compelling films. We thank each of these people and institutions for their help (and we list each in the credits for each segment). We invite you to consider joining them in supporting our efforts (click here to donate, please be sure to designate the U.S.-China Institute's documentaries, or contact us).
With the defeat of Japan, the Kuomintang and Communists soon returned to their battle for control of China. This segment focuses on the work of journalists reporting on the civil war that ended with Mao Zedong atop Tiananmen proclaiming the establishment of the People’s Republic.
Largely excluded from China, American journalists in the 1950s and 1960s had to try to report on the tumultuous changes in the world’s biggest nation from its periphery. This segment explores how they did this and how some American news organizations occasionally got reports from within China.
President Richard Nixon’s 1972 trip ended two decades of Cold War hostility. America’s most famous journalists clamored to go with the president, though most had no idea what they might find, telling us “it was like going to the moon.” This segment shows how both governments worked to shape the coverage and how journalists struggled to report on the historic visit.
While the Nixon trip launched U.S.-China discussions, China was only slightly more open to Americans than it had been. American journalists were only permitted to visit for brief periods. This segment discusses reporting on the period through 1976, when deaths of Zhou Enlai and Mao Zedong triggered political skirmishes and the Tangshan earthquake took a quarter-million lives.
With the restoration of formal diplomatic relations on Jan. 1, 1979, American news organizations were able to base journalists in China. The interest in China was enormous, as seen in the coverage of Deng Xiaoping’s visit and of the economic reforms he initiated. The press also paid attention to the new family planning policy and to the stirrings of dissent.
Deng Xiaoping and the reformers he installed in top positions dramatically loosened economic and social controls in the mid-1980s. Journalists for American news organizations documented how Chinese embraced this opening and as some Chinese tested the party-state’s tolerance of dissent. Some journalists, protestors, and even leaders ran afoul of Party hardliners and were punished for crossing hazy lines.
In 1989, students marched in cities all over China, but it was the demonstrations in China’s symbolic center, Tiananmen Square, that captured the attention of people worldwide. Because of the first Sino-Soviet summit in thirty years, there were more journalists in Beijing than usual and the Chinese authorities initially permitted easier satellite access. This segment shows how journalists worked to grasp what was happening and to help their audiences understand the issues and forces at play, ultimately including the violent suppression of the protests.
The 1989 crackdown ushered in a period of political repression in China, but as the 1990s progressed the economy grew, migration became more common, and individual Chinese had greater control over their own lives. While reporters dealt with continued surveillance and harassment, by the end of the decade conditions improved to the point some saw it as the beginning of a golden age of China reporting.
The 2000s were a heady time in China. In 2000, the country won the right to host the Olympic Games and in 2001 entered the World Trade Organization and economic growth accelerated. But soon thereafter, suppression of information about disease outbreaks didn’t just hamper reporters, it threatened public safety. There was rising tension over how some won and lost economically and how the environment was being damaged. At the same time, social liberalization and technological change permitted reporters to explore new regions and issues.
China entered 2008 with great anticipation. Beijing would be the center of world attention with the summer Olympics. But in March repression brought rioting in Tibet and the Olympic torch relay attracted protests outside of China. Then in May, an earthquake killed 70,000 and left millions homeless. Even more than usual, the party-state worried about managing its image at home and abroad. While the games were a huge public diplomacy success, reporters chaffed at the government’s failure to loosen travel and other restrictions as pledged.
The foreign press corps in China hoped that once the Olympics passed, restrictions on their movement and other activities would be loosened. They weren’t. At the same time, the Chinese state invested heavily in expanding its own international media in an effort to override foreign media depictions of China and its policies. While the West stumbled economically, China seemed to have weathered the storm and adopted a more assertive foreign policy. China’s economic rise had led to a dramatic expansion in the American press corps, but covering China’s contradictory trends was no less challenging.
China’s economic rise had been the dominant line in the narrative of the country for two decades. There had long been grumbling about those with connections benefitting disproportionately from this advance. In 2012, two American news organizations documented the immense yet hidden fortunes accumulated by the relatives of Xi Jinping, soon to be China’s top leader, and Wen Jiabao, the outgoing prime minister. Coming after other journalists had broken stories about scandals, the Chinese state punished these organizations and sought to intimidate others.
Please join the USC U.S.-China Institute for the screening of Better Angels (善良的天使), a documentary film written and directed by two-time Academy Award winner Malcolm Clarke. Post-screening discussion will be with Clarke, co-executive producer David Dreier, and producers William Mundell and Han Yi.