USC U.S.-China Institute hosted a screening of Better Angels (善良的天使), a documentary film written and directed by two-time Academy Award winner Malcolm Clarke, with post-screening discussion with co-executive producer David Dreier and producer William Mundell.
Assignment: China - Contradictions
This segment of the Assignment:China series explores the nature of the China story during the wake of the 2008 Olympics, as correspondents clashed with an increasingly assertive Chinese government determined that it- not the foreign media- would shape the international narrative about China.
English | 中文
In the wake of the 2008 Olympics, China's domestic political climate and its external behavior began to change.
The financial crisis that rocked the West in 2008-09 convinced China's leaders that the U.S. was a declining power, and the time was right for Beijing to show a more assertive face to the rest of the world.
At the same time, the promise of greater relaxation that accompanied Beijing's Olympic bid gave way to a tightening of controls, fueled in part by outbreaks of unrest in Xinjiang, rising popular discontent over corruption, pollution, and abuse of power, and the growing impact of the Internet, especially Weibo, the Chinese version of Twitter.
For foreign journalists, the increasing complexity of the China story posed a new kind of challenge- not only to figure out what was happening, but also how to explain key trends and developments in a way that captured both the richness and the internal contradictions in Chinese society.
The difficulties of doing so increased substantially in early 2011. As the "Arab Spring" rocked the Middle East, the Chinese authorities feared that calls for a "Jasmine Revolution" at home could challenge the Communist Party's authority. In response, the government dramatically increased surveillance, harassment, and intimidation of American and other foreign journalists. Reporters were followed, detained, and threatened with expulsion on a scale not seen in China since the immediate aftermath of the Tiananmen Square crackdown, and covering China became a tense game of cat and mouse with the authorities.
"Contradictions" explores the nature of the China story during this complex and difficult period, as correspondents clashed with an increasingly assertive Chinese government determined that it- not the foreign media- would shape the international narrative about China.
This video is also available on the USCI YouTube Channel.
Assignment: China is a signature project of the USC U.S.-China Institute. Most Americans continue to learn about China primarily through the media and we feel that it is vital to understand the process by which news about China is gathered and shared. Mike Chinoy, USCI senior fellow, reports the series which is filmed and edited by Craig Stubing. Clayton Dube conceived of the project and oversees it. Many students and volunteers assist with research, transcription, and translation.
Assignment: China is possible only because of the willingness of journalists and others to share their stories, documents, and images with us and through the generous financial support of individual and institutional donors. We are grateful to all those who have helped. Please click here to contact us or here if you would like to contribute.
The USC U.S.-China Institute hosted a discussion on American and Chinese aims and tactics in the US-China trade war as well as its impact and potential costs.
Please join the USC U.S.-China Institute for a screening of Nowhere to Call Home, which offers a rare glimpse into the world of a Tibetan farmer, torn between her traditional way of life and her desire for her son to have a better future in the city. Followed by a post-screening discussion with director Jocelyn Ford.
Please join the USC U.S.-China Institute for a book talk with journalist and author Leta Hong Fincher. Betraying Big Brother is a story of how the feminist movement in China against patriarchy could reconfigure the country and the rest of the world.