Western classical music was condemned during China's Cultural Revolution. But China is now the principal producer and largest consumer of many "Western" musical instruments.
Jan Kiely book was reviewed by Emily Whewell for H-Asia and is published here under Creative Commons license.
This book by Tobie Meyer-Fong was reviewed by Edward A. McCord for the H-War discussion list and is reproduced here under Creative Commons license.
Jay Carter reviewed this book for H-War, October 2012.
Seung-joon Lee, Gourmets in the Land of Famine: The Culture and Politics of Rice in Modern Canton, 2011
Edward Melillo reviews the book for H-Environment, August 2011, credit H-Asia.
Dietmar Rothermund reviews the book for H-Soz-u-Kult, September 2008.
Peer Vries reviews Christopher Isett's State, Peasant, and Merchant in Qing Manchuria, 1644-1862.
Kurt Hohenstein reveiws the book for H-Law, credit H-Asia.
James Leibold reviews the book for H-Nationalism, December 2008.
Tracy and Rangow, eds., Religion and the Early Modern State: Views from China, Russia, and the West, 2003.
Roger Chapman reviews the book for H-Ideas, August 2009.
Please join the USC U.S.-China Institute for a look at the resurgence of classical music in China through the legacy of the Philadelphia Orchestra, from its first performances in the PRC in 1973 until its most recent tour in 2018.
Kirk Denton will look at the role of politics—especially political parties—in the establishment, administration, architectural design, and historical narratives of museums in Taiwan.