Professor Carolijn van Noort from the University of West Scotland talks about her new book, which explores how China’s international political communication of the Belt and Road Initiative comprises narratives about infrastructure and the Silk Road.
Guobin Yang examines the factional violence in the Red Guard movement as well as the de-sacralization of that revolutionary culture throughout the 1970s and the rise of a new wave of protest that inaugurated the democratic movements of the reform era.
Andrew G. Walder's book was reviewed by David Buck for H-Asia and is published here under Creative Commons license.
Jan Kiely book was reviewed by Emily Whewell for H-Asia and is published here under Creative Commons license.
Alex Zukas reviewed this book for H-Socialisms in November 2014. It is reprinted here through a Creative Commons license.
USC Architecture's 5th year students created unique Mao style jackets using unexpected materials as part of their studio assignment
This segment of the USC U.S.-China Institute series on the work of reporters for American news organizations looks at the period 1949-1971, when most Americans could not visit the People's Republic. Though some non-U.S. citizens reporting for American organizations did manage to get into China, most reporters had to watch what was happening in China from Hong Kong.
Yoshihiro Ishikawa's book was translated by Joshua Fogel and reviewed by David Buck for H-Asia.
This book by Laura M. Calkins was reviewed by Mao Lin for the H-Diplo discussion list and is reproduced here under Creative Commons license.
Zhihua Shen’s book was reviewed by Kathryn Weathersby for the H-Diplo discussion list in April 2013. It is reproduced here under Creative Commons license.
Please join the USC U.S.-China Institute for a look at the resurgence of classical music in China through the legacy of the Philadelphia Orchestra, from its first performances in the PRC in 1973 until its most recent tour in 2018.
Kirk Denton will look at the role of politics—especially political parties—in the establishment, administration, architectural design, and historical narratives of museums in Taiwan.