Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In his book The Spatiality of Emotion in Early Modern China, Ling Hon Lam gives an original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call “emotion-realm” (qingjing 情境).
Chang Dai-chien is one of the most acclaimed Chinese artists of the 20th century. To mark the 120th anniversary of his birth and 47 years since his previous solo show at the museum, we are inaugurating the newly renovated Chinese painting gallery with Chang Dai-chien: Painting from Heart to Hand. Comprising works donated to the museum by the artist, as well as loans from his friends and family, the exhibition spotlights Chang’s groundbreaking modernization of ink painting.