Western classical music was condemned during China's Cultural Revolution. But China is now the principal producer and largest consumer of many "Western" musical instruments.
Video: Hao Wu on Filmmaking During Wuhan Lockdown
About the Film
On January 23rd, 2020, China locked down Wuhan, a city of 11 million, to combat the emerging COVID-19 outbreak. Set deep inside the frontlines of the crisis, 76 DAYS tells indelible human stories at the center of this pandemic—from a woman begging in vain to bid a final farewell to her father, a grandfather with dementia searching for his way home, a couple anxious to meet their newborn, to a nurse determined to return personal items to families of the deceased. These intimate stories bear witness to the death and rebirth of a city under a 76-day lockdown, and to the compassion and human resilience that persists in times of profound tragedy.
76 DAYS Launches in Virtual Cinemas Nationwide Beginning Friday, December 4
About Hao Wu
Hao Wu’s documentary films have received funding support from The Ford Foundation JustFilms, ITVS, Sundance Institute, Tribeca Film Institute, NYSCA and international broadcasters. His previous feature documentary, People’s Republic of Desire, about China’s live-streaming phenomenon, won the Grand Jury Award at the 2018 SXSW festival, among many other awards. It has screened at over 40 film festivals worldwide and broadcasted nationally on PBS Independent Lens. The New York Times calls the film “hypercharged,” while The Los Angeles Times says it’s “invariably surprising and never less than compelling.” His latest short, All in My Family, is a Netflix Original Documentary and launched globally in May 2019.
Born and raised in China, Wu now travels between the US and China. From 2008-2011, he was a fellow at New America, a D.C.-based think tank. His writing has appeared on Time.com, Slate.com, Marketplace Radio, Strait Times, China Newsweek, and China Daily. He is a member of the Documentary branch of the Academy of Motion Picture Arts and Sciences.
Moderated by Ondi Timoner, Founder and CEO of Interloper Films and Clayton Dube, Executive Director of the USC U.S.-China Institute.
Video also available on our YouTube channel.
Kirk Denton will look at the role of politics—especially political parties—in the establishment, administration, architectural design, and historical narratives of museums in Taiwan.
Please join the USC U.S.-China Institute for a discussion with Barry Naughton on his assessment of what he and his colleagues got right and wrong in looking at China’s economy over the past four decades.