Join us for a free one-day workshop for educators at the Japanese American National Museum, hosted by the USC U.S.-China Institute and the National Consortium for Teaching about Asia. This workshop will include a guided tour of the beloved exhibition Common Ground: The Heart of Community, slated to close permanently in January 2025. Following the tour, learn strategies for engaging students in the primary source artifacts, images, and documents found in JANM’s vast collection and discover classroom-ready resources to support teaching and learning about the Japanese American experience.
Situ-Asian Dance Performance
Saturday, May 05, 2007, 8:00 PM - 10:00 PM
UCLA Glorya Kaufman Dance Theater
Los Angeles, CA 90095
Cost: $15 Admission $5 Students
Tel: 310-825-3951
www.wac.ucla.edu
In Situ-Asian Jia Wu directs 23 artists and draws on 15 years of training in Beijing Opera, Tai Chi and Chinese folk dance to create biting social commentary through contemporary inter-media dance works. Hypocrisy in international political relations and the changing role of women in an era of rapid modernization are among the themes explored. Situ-Asian features original music by Derric Spivak Jr., David Karagianis and Jeff Hayman, three video collaborations with filmmakers Mariel Louise McEwan, Cari Ann Shim Sham, Pinar Yoldas, and animator Xiaojin Bao.
Situ-Asian, the two-part work which opens the program, is an autobiographically inspired video set in China in the late 1970’s, which tracks a girl’s life from age 5 to 18, followed by Wu’s performance of a classic solo from Bejing Opera, “An Imperial Concubine Gets Tipsy” (Gui Fei Zui Jiu). In Poker Face, her duet with dancer Ally Voye, Wu employs slapstick humor and a table to explore the two faces of diplomacy in international political relationships. A second duet titled Bird Cage, a collaboration with Jose Reynoso, exposes the situation of Chinese women struggling with traditional and modern female roles, employing the theory of helplessness from social psychology. Delicious Trees, a trio made for the camera inspired by Jia’s studies with Eiko & Koma, embraces a cycle of life that includes tree spirits and human beings. The Other Shore is a floating dreamscape which explores the confusion of what we want versus what we need.
PerformersSpecial Instructions
Parking: $8 in Structure 4 adjacent to Kaufman Hall (From Sunset Blvd., turn onto Westwood Plaza and park in Structure 4)
Sponsor(s): World Arts & Cultures
Jia Wu, Ally Voye, Eva Aymami, Jonathan Corps, Jose Reynoso, Maya Zellman, Marissa Ruazol, Rosemary Candelario, Niuniu He, Selena Jixing Bao.
The creation and production of Situ-Asian is funded by: The UCLA School of the Arts and Architecture, The UCLA Department of World Arts and Cultures.
Jia Wu started professional training in dance at the age of five and began to perform as a soloist and principal dancer shortly thereafter. In 2001 Jia got her B.A in Chinese dance performance and choreography at
Jia received awards for outstanding performance and choreography at the Chinese National Dance Competition in 2000 (
Jia has performed her contemporary choreography and traditional works on programs in
Currently Jia is the Director of the UCLA Chinese Folk Dance Troupe. The group has made appearances in numerous events on and off campus in Southern California, including the 2006 Lotus Steps at UCLA's Royce Hall, the 2005 UCLA Chinese New Year Culture Fair, UCLA Chinese Heritage Week, the Chinese Lunar Year Parade in downtown Los Angeles, and the Chinese New Year Reception the Moon Festival Show sponsored by the Chinese Students and Scholar Association of Southwest America.
She has performed professionally for choreographers Victoria Marks (USA), David Dorfman (USA), and Luis Garay (
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Join us for an in-person conversation on Thursday, November 7th at 4pm with author David M. Lampton as he discusses his new book, Living U.S.-China Relations: From Cold War to Cold War. The book examines the history of U.S.-China relations across eight U.S. presidential administrations.