Happy Lunar New Year from the USC US-China Institute!
Research Interests
- Media Regulation, Media Economics
Professional Experience
- Asistant Research Fellow, Research Insitute of Journalism and Communication, Zhejiang University of Communication (China)
- Researcher (part-time), Institute of New Media Data, East China University of Political Science and Law (China)
- Committee Member, Expert Committee of Modern Career Education Research Institute (New Media Sub-Committee)(China)
- CEO Assistant and Manager of the Legal office, Goodfarmer Investment Holdings (group) Co. Ltd (China)
- Postdoctoral Research Fellow, Research Center for International Public Relations, Fudan University (China)
- Trainee lawyer (Part-time), Shandong Juncheng Renhe Law Firm (Shanghai branch office) (China)
Education
- Ph.D., Communication Studies, Shanghai University (China)
- M.A., Communication Studies, Shanghai University (China)
- B.A., Public Relations, Shandong University (China)
Publications
Book chapter
- Two chapters (50000 words in Chinese)in Jing Guanjun & Zheng Han, ed., An Introduction to the Creative Industry. (China Book Publishing House, 2011)
- Three Chapters (60000 words in Chinese) in The Shanghai Office of Cultural Development Fund, ed., The C Industry : The Engine of the Creative Economy---An Observation on Shanghai’s Creative Industry. (The Joint Publishing House, 2006)
Journal articles (all in Chinese)
- Technology Pitfalls of Online Service of the Local Goverments in China. Journal of Chinese Broadcasting, 2019.01
- Self-Consiouness, Political Rights and Social Roles : Female Charaters in the Films of Ridley Scott. Contemporary Cinema (CSSCI) , 2017.10
- The Economic Signifance of Information Disclosure Requirement in P2P Financing for the Film Industry. Journalism Lover, 2017.6
- On the Information Disclosure Requirement in China’s P2P Financing Sector. China Media Report, 2016.3
- New Trends in the American Copyright Legislation in the Digtial Age. Journalism and Communication, 2016.3
- Business Models for Traditional Music Record Companies in the Digtial Age. Journalism and Communication, 2014.7
- The Success of P2P Digital Music Business : In the Case of Spotify. Journalism and Communication, 2014.4
- Book Printing and Copyright Conceptualiztion in the Song Dynasty. Publishing Research (CSSCI), 2011.3
- The Cultural Protection Policy of the Canadian Book Publishing Industry. International Communications, 2011.3
- The Film Industry in South Africa :Development and Problems. China Cinema Market, 2010.10, 11
Research Grants
- (host, ongoing) Collaborative Regulation : A New Approach towards Socialized Regulation of the Chinese Media Industry, granted by the Chinese Ministry of Education Social Sciences and Humanities Research Grant for Young Scholars, 2018-2020, 80000 yuan RMB
- (host, ongoing) Regulation of Network Financing for the Chinese Film Industry from the Perspective of Internet+, granted by Zhejiang University of Communication, 2018-2019, 30000 yuan RMB
- (host, completed) Financing Models for the Film Industry, granted by Zhejiang Provincial Social Sciencs Innovation Project, 2016-2017, 30000 yuan RMB
- (key participant, completed) Copyright Protection of Music Works in the Digital Context : The American Experience, granted by the Shanghai Municipal Education Commission Research Innovation Project, 2011-2014, 50000 yuan RMB
- (key participant, completed) The Institutional Transformation of European and American Culture Industries in the Age of Internet : The Reconstruction of Copyright System, granted by Chinese National Arts Resarch Fund, 2008-2015, 150000 yuan RMB
Featured Articles
January 4, 2024
We note the passing of many prominent individuals who played some role in U.S.-China affairs, whether in politics, economics or in helping people in one place understand the other.
Events
Thursday, March 21, 2024 - 4:00pm PST
Ying Zhu looks at new developments for Chinese and global streaming services.
Tuesday, March 19, 2024 - 4:00pm
David Zweig examines China's talent recruitment efforts, particularly towards those scientists and engineers who left China for further study. U.S. universities, labs and companies have long brought in talent from China. Are such people still welcome?