Happy Lunar New Year from the USC US-China Institute!
Film Screening: Fred Ho’s Last Year
FRED HO'S LAST YEAR captures the unapologetic Fred Ho in an unbelievable year as he fights cancer, leads orchestras, holds lectures, leads protests, publishes books, and even produces his magnum opus: an elaborate, manga-inspired samurai opera on a New York stage. A part of the 2014 Asian American International Film Festival in New York City.
Where
![](https://china.usc.edu/sites/default/files/styles/event_node_featured/public/events/featured-image/fredho1_0.jpg?itok=FSXtvSo4)
Description
An homage to the award-winning avant-garde jazz composer, Asian American author and political activist, FRED HO’S LAST YEAR captures the unapologetic Fred Ho in an unbelievable year as he fights cancer, leads orchestras, holds lectures, leads protests, publishes books, and even produces his magnum opus: an elaborate, manga-inspired samurai opera on a New York stage. Filmed over the course of 2013, the film provides a glimpse into Fred’s extraordinary life as a musician, a mentor, a pioneer and a dear friend for those who will be continuously inspired by his courage and persistence.
On July 31st, the AAIFF’14 will co-host a sneak preview of FRED HO’S LAST YEAR with Museum of Chinese in America, followed by a discussion with director Steven de Castro, playwright Ruth Margraff (CAFE ANTASIA), and Fred’s long-term friend Anne T. Greene.
On August 2nd, to follow the screening of FRED HO’S LAST YEAR at Village East Cinema will be a music tribute by Fred Ho’s student Ben Barson playing Fred’s saxophone.
Click here to learn more about the Asian American International Film Festival.
Featured Articles
We note the passing of many prominent individuals who played some role in U.S.-China affairs, whether in politics, economics or in helping people in one place understand the other.
Events
Ying Zhu looks at new developments for Chinese and global streaming services.
David Zweig examines China's talent recruitment efforts, particularly towards those scientists and engineers who left China for further study. U.S. universities, labs and companies have long brought in talent from China. Are such people still welcome?