Join us for a free one-day workshop for educators at the Japanese American National Museum, hosted by the USC U.S.-China Institute and the National Consortium for Teaching about Asia. This workshop will include a guided tour of the beloved exhibition Common Ground: The Heart of Community, slated to close permanently in January 2025. Following the tour, learn strategies for engaging students in the primary source artifacts, images, and documents found in JANM’s vast collection and discover classroom-ready resources to support teaching and learning about the Japanese American experience.
Zhang Yaxin: Model Operas
The Presentation House Gallery presents an exhibition featuring the photographs of Zhang Yaxin that vividly record the actors and scenery of the Communist Party-sanctioned “model operas.”
Zhang Yaxin: Model Operas, an exhibition of colour photographs by Chinese photographer Zhang Yaxin that vividly record the actors and scenery of the Communist Party-sanctioned “model operas.”
Zhang Yaxin, who was also chief photographer of the Communist Party leaders, devoted eight years of his life from 1969–1976 to documenting the opera productions. Born in 1933, he graduated from the photography department of Changchun Film Academy and joined the Xinhua News Agency as a staff reporter in 1963. He had one of three Hasselblad cameras in China at that time, and had unlimited access to colour Kodak film. His photographs were disseminated extensively within China on posters, stamps and craftworks. These photographs have rarely been seen outside of China.
During the ten-year Cultural Revolution, traditional opera was banned and Mao Zedong’s wife Jiang Qing promoted a new form of opera that focused on broad revolutionary themes, elevating the working class and condemning counter-revolutionaries. These stories conveyed state propaganda through vivid imagery in an innovative fashion that incorporated the most modern techniques of cinematography, song, and dance.
More than thirteen operas were created during the Cultural Revolution, but the most popular ultimately became known as “the eight model works”. They were filmed in bright Technicolor, and were the only kind of entertainment allowed in the theatres, on television and radio. The productions involved China’s best playwrights and performers, and the main performers became instant stars. Some say that the operas were the only forms of artistic expression officially allowed in China at that time.
This exhibition is made possible thanks to generous loans from the Stephen Bulger Gallery, Toronto and See+ Gallery, Beijing.
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Please join us for the Grad Mixer! Hosted by USC Annenberg Office of International Affairs, Enjoy food, drink and conversation with fellow students across USC Annenberg. Graduate students from any field are welcome to join, so it is a great opportunity to meet fellow students with IR/foreign policy-related research topics and interests.
RSVP link: https://forms.gle/1zer188RE9dCS6Ho6
Events
Hosted by USC Annenberg Office of International Affairs, enjoy food, drink and conversation with fellow international students.
Join us for an in-person conversation on Thursday, November 7th at 4pm with author David M. Lampton as he discusses his new book, Living U.S.-China Relations: From Cold War to Cold War. The book examines the history of U.S.-China relations across eight U.S. presidential administrations.