Happy Lunar New Year from the USC US-China Institute!
Garden Views: Flora and Fauna in Chinese Art
The Honolulu Academy of Arts present art work featuring popular Chinese paintings and decorative art objects that have flower and garden motifs.
Where
![](https://china.usc.edu/sites/default/files/styles/event_node_featured/public/events/featured-image/gardenviews_0.gif?itok=KxrNXLx_)
The Joanna Lau Sullivan Chinese Courtyard—an interpretation of what a small courtyard within a traditional Chinese garden might look like—has been a peaceful oasis for museum guests since the institution's original construction in 1926. Lovingly maintained by the Garden Club of Hawaiʻi, this court is cultivated to contain plants and objects significant to Chinese art and culture. The courtyard also represents the historic ties Hawai‘i has with China in its architectural features, from the granite pavers that served as ballast in the ships used in the sandalwood trade, to the Qing-dynasty (1644-1911) green tile along the balustrade.
The Sullivan courtyard is the inspiration for Garden Views, in the Maurice J. Sullivan Family Gallery of Chinese Art, featuring popular Chinese paintings and decorative art objects that have flower and garden motifs. In Flowers and Insects, the artist Ma Quan (1640- ca.1739) depicts his subject matter in a meticulous manner that finds its precedent in the Imperial-Academy painting style of the Northern-Song dynasty (960-1127), which is represented by one work in the exhibition. Visitors are invited to identify the various aspects of the courtyard that are highlighted in the gallery, where they will find explanations of the cultural significance of selected garden elements.
Featured Articles
We note the passing of many prominent individuals who played some role in U.S.-China affairs, whether in politics, economics or in helping people in one place understand the other.
Events
Ying Zhu looks at new developments for Chinese and global streaming services.
David Zweig examines China's talent recruitment efforts, particularly towards those scientists and engineers who left China for further study. U.S. universities, labs and companies have long brought in talent from China. Are such people still welcome?