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Lee, "A modernist auteur, Edward Yang: The first decade of his film career (1982-1991)," 1995
Chu-Chun Lee, M.A.
This thesis begins with an introduction of Edward Yang and his relationship to the Taiwanese New Cinema Movement. Yang's first thirty-minute film, Expectation, embodies general modernist spirits and foreshadows Yang's full development of modernist characteristics in his four subsequent full-length feature films. By applying general concepts of modernism as outlined by Malcolm Bradbury and James McFarlane and theories of modernist film proposed by Robert Phillip Kolker, William Charles Siska, and Peter Wollen, along with tenets of semiotics, cultural studies, structuralism, and authorship, this thesis analyzes That Day, on the Beach, Taipei Story, Terrorizer, and A Brighter Summer Day through the analysis of theme, narration, manipulation of images, sound effects, lighting, and composition. Since these films illustrate recurrent modernist attributes, this thesis confirms Yang's position as a modernist auteur in the first decade of his film career.
Advisor: James, David E.
The USC U.S.-China Institute and Asia Society hosted a talk with Weijian Shan, one of Asia’s best-known financiers, as he recounts his remarkable personal story of his exile to the Gobi Desert for hard labor at the age of 15 amidst the turmoil of Mao Zedong’s Cultural Revolution.
The USC U.S.-China Institute and the Asia Society Southern California present a talk with Robert Koepp, the Hong Kong Director of The Economist Corporate Network, about the implications of the latest developments in Hong Kong.
The USC U.S.-China Institutes presents a book talk with Klaus Mühlhahn. Making China Modern provides a panoramic survey of China's rise and resilience through war and rebellion, disease and famine. At this event Professor Mühlhahn will focus on the lessons from history that provide insight into China's evolving international position and how the United States and others should respond.