A food safety factory shutdown has Americans hunting for baby formula. Readying themselves for a covid-19 lockdown, Chinese in Beijing emptied store shelves. Emerging from lockdown, some in Shanghai are visiting well-provisioned markets. U.S.-China agricultural trade is booming, but many are still being left hungry. Food security, sustainability and safety remain issues.
Yun-Fei Ji: The Intimate Universe
The Honolulu Museum of Art presents the exhibit, "Yun-Fei Ji: The Intimate Universe", featuring a selection of the artist's work from the last decade, including new scrolls exhibited for the first time
Taking on the thousand-year-old practice of Chinese scroll painting, Beijing-born artist Yun-Fei Ji employs ink on paper as his primary medium and landscape as his central subject. However, rather than adopting the idealism characteristic of traditional scroll painting, Ji’s work presents the gritty reality of life in China today. Ji also emphasizes the critical relationship between the land and its people and how the balance is being challenged by current social, political, ecological, and economic shifts. His compositions are inspired by his own fieldwork in rural areas throughout China’s countryside, where entire villages face forced relocation to make way for ambitious infrastructural projects such as the Three Gorges Dam, and where climate change has compromised the natural environment. The resulting artworks are populated by individualized, present-day figures inhabiting land in various stages of transition. Poised between modernity and tradition, the village becomes a metaphor for community, where dislocation, environmental deterioration and animal-like folkloric figures act as powerful reminders of longstanding cultural traditions at risk. With their impressionistic brushwork and original subject matter, Ji’s paintings possess an immediacy and urgency that suggest a fragmented, at times surreal, contemporary landscape.
Yun-Fei Ji: The Intimate Universe is the artist’s largest solo exhibition to date in the United States. It features a selection of work from the last decade, including new scrolls exhibited for the first time. Breathing new life into an established art form, Ji draws out the incongruity between an idealistic view of the world in its natural state and the consequences of modern-day industrialization. Broadening on this dialectic, his recent work moves with increasing fluidity between the naturalistic world and the fantastical realms of the artist’s imagination.
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