Join us for a free one-day workshop for educators at the Japanese American National Museum, hosted by the USC U.S.-China Institute and the National Consortium for Teaching about Asia. This workshop will include a guided tour of the beloved exhibition Common Ground: The Heart of Community, slated to close permanently in January 2025. Following the tour, learn strategies for engaging students in the primary source artifacts, images, and documents found in JANM’s vast collection and discover classroom-ready resources to support teaching and learning about the Japanese American experience.
we are here: art and asian voices in l.a.
Where
- Reanne Estrada is an artist with a happily schizophrenic practice. She uses performance and object-making to examine the unstable nature of identity and the fragility of the body. Estrada often collaborates with other artists to create performance events that investigate cultural and gendered meaning in contemporary society.
- Phung Huynh draws from her heritage of survival and migration as a refugee from the Vietnam War. Her paintings investigate the shifting notions of cultural identity in an American setting. The work she is producing for We Are Here examines the experience of Cambodian and Vietnamese refugees in Southern California.
- Ann Le uses her work as a way to explore her family’s history within the larger context of war. She excavates her lineage by revisiting her family’s experiences. Using archived family photos and stories, Le’s works are layers of images, building upon each other, often touching on emigration, history, family, and memory.
- Ahree Lee looks to the past and across distances to investigate what constitutes individual or collective identity in an increasingly diasporic, culturally alienated and fractured world. Her video and mixed media work reveals hidden narratives and patterns embedded in identity, gender expectations, community, family and culture.
- Kaoru Mansour grew up surrounded by nature and continues to look to the natural world in her paintings. She tinkers with materials and images to create compositions and surfaces that are both sensuous and irreverent, personal and universal.
- Mei Xian Qiu draws from her personal history to reconstruct the unknown, fantastical notions of culture, self-invented and revelatory and iconic. This type of flexible self-view and easy piercings of notions of the impermeable interior self, are in keeping with the new contemporary landscape of commonplace transience and a growing global monoculture.
- Sichong Xie utilizes performance, video, and installation to explore her identity and place in the world as an expatriate Chinese citizen. She investigates sculptural forms and movements within global communities to reconsider and re-envision shared spaces and performative practices.
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Please join us for the Grad Mixer! Hosted by USC Annenberg Office of International Affairs, Enjoy food, drink and conversation with fellow students across USC Annenberg. Graduate students from any field are welcome to join, so it is a great opportunity to meet fellow students with IR/foreign policy-related research topics and interests.
RSVP link: https://forms.gle/1zer188RE9dCS6Ho6
Events
Hosted by USC Annenberg Office of International Affairs, enjoy food, drink and conversation with fellow international students.
Join us for an in-person conversation on Thursday, November 7th at 4pm with author David M. Lampton as he discusses his new book, Living U.S.-China Relations: From Cold War to Cold War. The book examines the history of U.S.-China relations across eight U.S. presidential administrations.