Murray Fromson reported from all around China (Korea, Hong Kong, Vietnam, the Soviet Union) and wanted to report in China. He almost got there in 1974.
As The Story Unrolls
Exhibition focused on the importance, beauty and historical significance behind Chinese scroll making.
Real or imaginary stories have played a dynamic role in the paintings of premodern China. Whereas a single event might be effectively depicted in hanging-scroll format, the handscroll, unrolled right to left and section by section, lent itself to both panoramic imagery and sequential compositions. The figures depicted in these paintings range from rustic to highly cultured, and their settings from boundless landscapes to intimate gardens. The most idyllic imagery, painted in finely ground and colorful mineral pigments, depicts a peaceful and bountiful farming valley suspended in time within a mountain cave. From right to left, its scenes closely follow that described in a narrative poem by Tao Qian (365–427). In a more realistic image, scholarly figures lead the viewer through China’s traditional Four Accomplishments: painting and calligraphy, strategy, music, and literature.
Our "Finding Solutions" conference focused on the work of individuals, companies, and NGOs addressing some of China’s most pressing challenges. We had a large and diverse audience participate. Videos coming soon!
Ceremonies and Celebrations: Textile Treasures from the USC Pacific Asia Museum Collection, drawn from the museum’s extraordinary collection of over 2,700 costumes and textiles from China, Korea, Japan, India, the Himalayas and Southeast Asia. (September 14, 2018 through January 6, 2019)