Happy Lunar New Year from the USC US-China Institute!
Multiple Impressions: Contemporary Chinese Woodblock Prints
The University of Michigan Museum of Art presents works of forty-one leading printmakers from contemporary China to showcase the extraordinary innovations.
Where
![](https://china.usc.edu/sites/default/files/styles/event_node_featured/public/events/featured-image/wooden_0.gif?itok=bczXWeVX)
This exhibition presents works by forty-one leading printmakers from contemporary China to showcase the extraordinary innovations, in both technique and conception, which have transformed this long-established art form in recent years. The exhibition features 114 works by such artists as Xu Bing, Kang Ning, Song Yuanwen, Chen Qi, He Kun, and Fang Limin, as well as many other accomplished printmakers. Curated by Dr. Xiaobing Tang, Helmut F. Stern Professor of Modern Chinese Studies at the University of Michigan and organized by UMMA with the assistance and cooperation of the China Academy of Art in Hangzhou, China, this exhibition-the largest examination of contemporary Chinese prints in the US since 2000-provides an important framework for understanding both contemporary art from China and contemporary Chinese society.
When the first public exhibition of modern-style woodblock prints took place in Shanghai in June 1931, it heralded an explosive art movement that helped shape the course of modern Chinese art history in the 20th century and has remained a vital part of contemporary China' s artistic language. Multiple Impressions refers to both the complex process of making a print-especially when the traditional moveable multi-block method is employed-and the vibrant and diverse visions and vocabularies reflected in contemporary Chinese prints. The exhibition underscores the printmakers' search for a new visual language and subject matter-in self-conscious competition with oil and ink-and-brush painters on the one hand and mass-produced print culture on the other.
Multiple Impressions was organized by the University of Michigan Museum of Art with the cooperation and support of the China Academy of Art, Hangzhou, China. It is made possible in part by the Andrew W. Mellon Foundation, the Henry Luce Foundation, the E. Rhodes & Leona B. Carpenter Foundation, and the University of Michigan Center for Chinese Studies, Confucius Institute, and Office of the Senior Vice Provost for Academic Affairs. Additionally, UMMA gratefully acknowledges the University of Michigan Office of the President and Office of the Provost for their ongoing support.
Featured Articles
We note the passing of many prominent individuals who played some role in U.S.-China affairs, whether in politics, economics or in helping people in one place understand the other.
Events
Ying Zhu looks at new developments for Chinese and global streaming services.
David Zweig examines China's talent recruitment efforts, particularly towards those scientists and engineers who left China for further study. U.S. universities, labs and companies have long brought in talent from China. Are such people still welcome?