Despite tensions between the Chinese and American governments, the state of California has deep and interdependent socioeconomic exchanges with China that reverberate across the globe. Matt Sheehan examines these interactions that make California a microcosm of the most important international relationship of the twenty-first century.
Gods in My Home: Chinese New Year with Ancestor Portraits and Deity Prints
The Royal Ontario Museum presents an exhibition showcasing the connection between Chinese lunar new year and ancestral paintings.
Gods in My Home brings together Chinese ancestral paintings and traditional popular prints, and examines the unexplored connection between these two seemingly separate genres in the context of Chinese Lunar New Year. These images reflect a Chinese view of reverence and the belief that these portraits and prints were capable of blessing and protecting the prosperity of family lines.
Visitors are invited to explore beautiful objects including New Year prints and paintings, ancestral portraits, paper gods and ceramics, and discover the shared family values, ritual concepts, belief in visual powers and common traditions that bind them. Experience these compelling and never-before-seen images through an artistic lens in this ROM original exhibition.
Text and photo from the Royal Ontario Museum
Panelists examined the issues driving the protests in Hong Kong, the social composition and motivations of the protesters and counter-protesters, and how the various sides are using media to reach local, mainland and international audiences.
The USC U.S.-China Institute and the USC East Asian Library present a screening of Daughter of Shanghai, a documentary featuring actress Tsai Chin talking about her life, scenes from the films and series she has starred in, and footage of celebrities talking about Tsai’s influence on them.