Zhao offers a quick history of China's foreign policy since 1949 and then offers a provocative assessment of it today.
Court Ladies or Pin-Up Girls? Chinese Paintings from the MFA, Boston
Museum of Fine Arts, Boston presents images of women by Chinese artists from the 11th through the 20th century.
Across all cultures, physical allure has been a central focus of depicting women in art. In China, the rich visual cultures of the region have produced many different images of women in accordance with the fashions, styles, aesthetics, and concepts of beauty. Works that today seem to be modest depictions of beautiful women may have been considered highly suggestive when first created. “Court Ladies or Pin-Up Girls?” includes paintings, prints, posters, and photographs of women by Chinese artists from the 11th through the 20th century. Highlights include Court Ladies Preparing Newly Woven Silk (1082–1135), one of the MFA’s great masterpieces of Chinese paintings, as well as 18th century erotic paintings, turn-of-the century hand-colored photographs of courtesans, a 1930s advertisement poster, and 20th-century propaganda posters of female factory workers.
U.S. Trade Representative Katherine Tai: Openness, inclusion and fairness essential at home and as principles in dealing with China
Resilience, inclusion and communication central in her remarks
The Dragon Roars Back – Mao, Deng and Xi Jinping and China’s evolving relations with the world - Zhao Suisheng 赵穗生, University of Denver
Join us for a book talk with Suisheng Zhao on how Mao Zedong, Deng Xiaoping, and Xi Jinping each conceived and executed radically different approaches to China's relations with others.