Happy Lunar New Year from the USC US-China Institute!
Conceal/Reveal: Making Meaning in Chinese Art
The Seattle Art Museum's Asian Art Museum is currently hosting the exhibition, "Conceal/Reveal: Making Meaning in Chinese Art".
Where
When commenting on his work Colored Vases, a group of earthenware vessels covered with industrial paint, the Chinese dissident artist Ai Weiwei remarked that by covering the surfaces with new paint, what is underneath—like history itself—is “no longer visible, but is still there.” Awakening the viewer’s curiosity to wonder about the next hidden layer is the artist’s true intent.
This exhibition shows that Chinese artists traditionally employ different approaches to construct layered meanings in an indirect but intriguing way: using one motif to represent another, either through their literary associations or shared pronunciations (homophones); playing with mediums such as using contemporary ceramics to imitate ancient lacquerware; or the pretext of metaphors to make social or political commentaries. This purposeful layering by the artist invites the viewer to mentally peel the layers and reveal the embedded meanings.
Featured Articles
We note the passing of many prominent individuals who played some role in U.S.-China affairs, whether in politics, economics or in helping people in one place understand the other.
Events
Ying Zhu looks at new developments for Chinese and global streaming services.
David Zweig examines China's talent recruitment efforts, particularly towards those scientists and engineers who left China for further study. U.S. universities, labs and companies have long brought in talent from China. Are such people still welcome?