Join us for a free one-day workshop for educators at the Japanese American National Museum, hosted by the USC U.S.-China Institute and the National Consortium for Teaching about Asia. This workshop will include a guided tour of the beloved exhibition Common Ground: The Heart of Community, slated to close permanently in January 2025. Following the tour, learn strategies for engaging students in the primary source artifacts, images, and documents found in JANM’s vast collection and discover classroom-ready resources to support teaching and learning about the Japanese American experience.
China Onscreen Biennial: Are We Really So Far From The Madhouse? (我们离疯人院有多远) US Premiere
Part of the UCLA Confucius Institute's inaugural China Onscreen Biennial (银幕中国双年展)project, this documentary is a representation of the "mysterious chaos" of a band on the road that captures the restlessness of contemporary China.
Where
Part of the UCLA Confucius Institute's inaugural China Onscreen Biennial (银幕中国双年展)project, an unprecedented bicoastal collaboration among seven distinguished American educational and cultural organizations to promote US-China dialogue through the art of film. October 13-31, Los Angeles | October 26-11, Washington, DC.
ARE WE REALLY SO FAR FROM THE MADHOUSE?
Director/Cinematographer/Editor: Li Hongqi. Producer: Alex Chung. Composer: P.K. 14, Dear Eloise. Cast: P.K. 14.
Li Hongqi followed his critically acclaimed fiction feature WINTER VACATION (2010) with this, his first documentary, a film as mesmerizing and unsettling as his fiction work – even as it’s harder to pin down. Joining China’s art rockers P.K. 14 (short for “Public Kingdom for Teens”) on their first national tour, Li’s camera surrenders to the flow of life on the road. What might be standard concert film footage, Li renders utterly absorbing through rigorous formal experimentation, including an asynchronous soundtrack that shifts between the band’s own sonic swirls and a discordant mashup of animal growls. To quote one of the P.K. 14 songs, it’s a “mysterious chaos” that captures the restlessness of contemporary China. – Paul Malcolm
HDCAM, color, Putonghua with English subtitles, 87 min.
Admission Tickets:
UCLA Film & Television Archive
Billy Wilder Theater
Courtyard Level, Hammer Museum
10899 Wilshire Boulevard (at the intersection of Wilshire and Westwood Boulevards)
Los Angeles, CA 90024
Tickets: $10 online. $9 general admission, $8 for non-UCLA students, seniors and UCLA Alumni Association members (ID required) if purchased at the box office only. Free admission for UCLA students (current ID required); free tickets available on a first-come, first-served basis at the box office until 15 minutes before showtime, or the rush line afterwards. Online tickets available at www.cinema.ucla.edu/calendar; click on the individual program.
Parking: Museum parking lot; enter from Westwood Blvd, just north of Wilshire. $3 flat rate after 6:00 pm on Mondays-Fridays and all day on weekends.
Information: www.cinema.ucla.edu, 310.206.8013
Sponsor(s): Center for Chinese Studies, Confucius Institute
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Please join us for the Grad Mixer! Hosted by USC Annenberg Office of International Affairs, Enjoy food, drink and conversation with fellow students across USC Annenberg. Graduate students from any field are welcome to join, so it is a great opportunity to meet fellow students with IR/foreign policy-related research topics and interests.
RSVP link: https://forms.gle/1zer188RE9dCS6Ho6
Events
Hosted by USC Annenberg Office of International Affairs, enjoy food, drink and conversation with fellow international students.
Join us for an in-person conversation on Thursday, November 7th at 4pm with author David M. Lampton as he discusses his new book, Living U.S.-China Relations: From Cold War to Cold War. The book examines the history of U.S.-China relations across eight U.S. presidential administrations.