USC U.S.-China Institute hosted a screening of Better Angels (善良的天使), a documentary film written and directed by two-time Academy Award winner Malcolm Clarke, with post-screening discussion with co-executive producer David Dreier and producer William Mundell.
Ceremonies and Celebrations: Textile Treasures from the USC Pacific Asia Museum Collection
Ceremonies and Celebrations: Textile Treasures from the USC Pacific Asia Museum Collection, drawn from the museum’s extraordinary collection of over 2,700 costumes and textiles from China, Korea, Japan, India, the Himalayas and Southeast Asia. (September 14, 2018 through January 6, 2019)
Textiles are tactile, colorful objects that play an integral role in the lives of people across Asia. They are made with care and display a variety of techniques, colors, and materials that reveal a great deal about the cultures from which they originate. Often times, the processes in which they were made and the motifs embellished into their surfaces directly relate to belief and power in Asian communities. The finest textiles are reserved for ceremonies and celebrations marking special occasions, and specific style, color, or motifs function as visual cues to the nature of such ceremonies, as well as the social status of a person or people involved.
With select examples across Asia, Ceremonies and Celebrations will explore interesting ideas that can connect these vast regions together. The first section focuses on the connection between gender and textile production and the way that textiles are used to identify gender roles in society. The second idea that is explored in the exhibition is the role of textiles as a signifier of one’s status. The third theme looks at textiles worn or used in marking life transitions, including birth, weddings, and death. The final section illustrates the unique relationship between textiles and religions across Asia. Textiles help to identify religious practitioners and add beauty to religious spaces and rituals. By looking at textiles from these perspectives, rather than by their geographical associations, visitors will be able to see the creativity and the diversity of Asian textiles, while connecting meanings behind textiles from vastly different localities, and learn about why these textiles were made with such special cares and used in specific purposes.
Some of the highlights of the exhibition will be the imperial dragon robes worn by China’s emperors and imperial family during the Qing dynasty (1644-1911). These robes feature nine powerful dragons, the symbol of the Emperor, embroidered or woven across the front and back of the silk robes. The yellow robes were the rarest of all, since the color yellow, symbolizing the sun, was worn exclusively by the Emperor. One such yellow robe, worn by the Guangxu Emperor (1875-1908) as a boy, will be on display.
Also included in the exhibition are magnificent whal-ot (wedding robes) from Korea, a promised gift to the museum, and Japanese kimono and kesa (Buddhist priest robes), some dating to the Edo period (1603-1868). From Southeast Asia will be Indonesian ikat-dyed cloth and batik woven textiles, and pineapple-fiber, or Piña cloth from the Philippines. From South Asia and the Himalayan region, will be colorful silk saris and elegant silk robes made for the Moghul court of India in the 18th and 19th centuries, as well as richly decorated costumes from the kingdom of Bhutan in the Himalayas.
Some of the best examples in the USC PAM’s textile collection are rarely exhibited because of their fragile nature and the negative effect of light on the natural dyes used, and Ceremonies and Celebrations will provide visitors with an exceptional glimpse at those rarely seen textile collection. The exhibition will accompany diverse programs, including lectures and demonstrations by Asian textile experts to highlight some of the featured textiles and techniques used and their history and free Family Festival
Photo from the USC Pacific Asia Museum
The USC U.S.-China Institute hosted a discussion on American and Chinese aims and tactics in the US-China trade war as well as its impact and potential costs.
One of the most influential modern Chinese writers and the author of Lust, Caution, Eileen Chang passed away in Los Angeles in 1995. After her death, Dominic Cheung, Professor Emeritus at USC, took care of her sea burial in San Pedro and set up the Eileen Chang Special Collection in the East Asian Library at USC in 1997. Cheung will discuss these experiences as a part of the lecture series titled Los Angeles and Shanghai: The USC Nexus.
Please join the USC U.S.-China Institute for a book talk with journalist and author Leta Hong Fincher. Betraying Big Brother is a story of how the feminist movement in China against patriarchy could reconfigure the country and the rest of the world.