Our "Finding Solutions" conference focused on the work of individuals, companies, and NGOs addressing some of China’s most pressing challenges. We had a large and diverse audience participate. Videos coming soon!
Art and China after 1989: Theater of the World
Art and China after 1989: Theater of the World is a major exhibition of contemporary art from China spanning 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. (Exhibition dates: October 6, 2017 - January 7, 2018)
Art and China after 1989: Theater of the World is a major exhibition of contemporary art from China spanning 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history. The largest show of this subject ever mounted in North America, it offers an interpretative survey of Chinese experimental art framed by the geopolitical dynamics attending the end of the Cold War, the spread of globalization, and the rise of China. The arc of this international history, beginning with the crushed utopianism of the nationwide democracy movement and culminating in the conflicted euphoria surrounding the Beijing Olympics, provides the framework for the Guggenheim’s show. Theater of the World examines how Chinese artists have been both agents and skeptics of China’s arrival as a global presence, and seeks to reposition a Sinocentric art history in a way that sees China as integral to the emergence of the global contemporary.
This issue of the newsletter highlights the women who have been called "China's Oprah" and includes our comprehensive calendar of China-focused events and exhibitions across North America.
Please join the USC U.S.-China Institute, the East Asian Studies Center, and the USC School of Cinematic Arts for a screening of the 1993 Chinese film Woman Sesame Oil Maker (香魂女). It tells the story of a woman in a small village who buys a peasant wife for his mentally disabled son after her sesame oil business becomes unexpectedly successful. The screening will be followed by a Q&A with the director, Xie Fei (谢飞).