It’s an interesting aspect of Buddhist tradition: Women were prevented from fully participating in Buddhism by the mere fact of having female bodies. That circumstance, and how views of it evolved, piqued the interest of Stephanie Balkwill.
“I’m interested in the ways in which Buddhism, when it came to China from India and Central Asia, offered women new opportunities for social and religious practice that they didn’t have before,” said Balkwill, Provost’s Postdoctoral Scholar at the USC Dornsife College of Letters, Arts and Sciences. A member of USC’s prestigious Society of Fellows in the Humanities, Balkwill has studied the lives of women, particularly Buddhist women, in fourth- through sixth-century China in depth.
According to the Buddhist tradition, women cannot ascend to the status of a Buddha — one who is awake, enlightened and emancipated from sams?ra, the cycle of birth and death — because their bodies grow and give birth to children. That ties them metaphorically to samsara.
To attain Buddha status — the ultimate goal of the religion — a woman must become a man, by dying and being reborn. But in many Buddhist texts, an advanced practitioner of Buddhism might miraculously change her form, in this life, at her own will.
Shedding light
While working on her doctorate at McMaster University in Hamilton, Ontario, Balkwill identified a body of Buddhist texts written in fifth-century China that sheds light on how the problem of the female body within Buddhism was understood at the time. The Sutra on Transforming the Female Form, which claims to be the master text on the subject, represents a significant departure of thinking, she explained.
“It’s largely understood sociologically instead of bodily. … The Buddha starts talking about patriarchy instead of the physical limitations of the female body. So it’s a big shift in ideology,” said Balkwill, who titled her postdoctoral research proposal “Because the Buddha is No Longer a Woman: Tracking the Ideal of Female-to-Male Sex Change in Mahayana Sutras.”
According to Balkwill, powerful Buddhist women in fifth-century China were very interested in Buddhist monasteries, a place where they could derive power and negotiate the political situations in which women of high standing often found themselves.
It is likely that those women sponsored and commissioned these fifth-century texts, Balkwill noted. Some of the writings specifically mention women of the imperial court, pointing out that they are vulnerable to patriarchal forces in that they are put on a pedestal, given jewelry and garlands, but are still not free. These women lived with a lot of luxury, but also a lot of constraints.
“One of the things I’m really interested in with these texts, and why I think they appeal to women even though they’re saying you have to become a man, is that their [female] protagonists have wonderful conversations with all these different Buddhist teachers and eventually the Buddha,” she said. “The texts show how smart, capable and articulate the protagonists are.”
The various conversations about women’s rights and women’s bodies within the texts help scholars understand how women of the day thought and talked about the notion of female-to-male sex change and related it to their own religious practice.
Expanding her reach
Balkwill was drawn to her postdoctoral position at USC Dornsife as an opportunity to expand upon the specific training she received as a graduate student.
“I really strongly feel that you have to be able to go past that and talk outside of your discipline, and to your students and the general public,” she said.
As a member of USC’s Society of Fellows in the Humanities, an interdisciplinary community of postdocs supported by eminent distinguished faculty mentors, Balkwill participates in meetings and events on campus to promote intellectual exchange and an interdisciplinary approach to research and teaching. She also organized a major international conference last year on Buddhism and Politics titled Buddhism and Statecraft: A Conference of Storytellers.
“Having the opportunity to talk about my work with people in English literature or visual studies uncovers points of comparison and new ways of thinking about my data,” she said.
“I came to USC because I wanted to learn to talk about my research across the humanities and be a more open-minded scholar.”