Talking Points June 3 - June 18, 2014
This latest segment in the Assignment:China series focuses on the coverage by American news organizations of the dramatic events in Beijing in 1989. Students marched in cities all over China, but it was the demonstrations in China's symbolic center, Tiananmen Square, that captured the attention and imagination of people worldwide and especially in the United States. You can watch the new segment at the USCI website or on our YouTube channel. The next public screenings of the segment are tonight at the University of California, San Diego and at the Foreign Correspondents Club in Hong Kong.
We learn how journalists knew what they reported, but also how their values, expectations, or sources caused them to overemphasize some things and to miss others. And we hear from U.S. Secretary of State James Baker how the immediacy of the coverage meant that the administration needed to react in real time. *****
"The whole Party and all the people must realize the seriousness of this struggle and take a clear-cut stand against the turmoil and firmly safeguard ... stability and unity which has not been easily attained.... No illegal organizations will be allowed to be set up.... Those who fabricate rumors and defame will be held responsible for their crimes.... Illegal demonstrations and parades are forbidden, as is the establishment of contacts in factories, villages and schools...." What the Party deemed turmoil (动乱) would be quelled and those involved in setting up autonomous student and labor organizations would be arrested along with those involved in spreading news or criticizing leaders. Some spent more than a decade in prisons, others, including student leader Wang Dan, received shorter sentences. Liu Xiaobo was among those serving time in jail for Tiananmen protest activities. He was returned to prison in 1995-1999 and again in 2009 for continuing to push for democracy in China. He was awarded the Nobel Peace Prize in 2010 but remains in jail serving an eleven year sentence for ""inciting the overthrow of our country's people's democratic dictatorship system and the socialist system." Perhaps the best known 1989 prisoner, though, was Zhao Ziyang, the Communist Party secretary Deng Xiaoping blamed for not taking a sufficiently firm line against the demonstrations. Zhao was under house arrest until his death in 2005. However, he was not expelled from the party and enjoyed visits with family and some friends and was even permitted golf outings. Those who were jailed endured much greater isolation and much tougher conditions.
"Yes, I still believe that. I believe the forces of democracy are so powerful, and when you see them as recently as this morning -- a single student standing in front of a tank, and then, I might add, seeing the tank driver exercise restraint -- I am convinced that the forces of democracy are going to overcome these unfortunate events in Tiananmen Square."
The largest memorial events have always been held in Hong Kong. Many student leaders and others were smuggled out of China through Hong Kong. The role of criminal gangs in this effort has been highlighted in recent articles. The Hong Kong Special Administrative Region, however, has become less welcoming to visits by former student leaders and other dissidents. Artist-activist Chen Weiming's Tiananmen Massacre relief and his replica of the goddess of democracy were seized by Hong Kong authorities which also denied Chen admission in 2010. Earlier this year, though, the June 4th Museum opened its doors in Hong Kong.
"This storm was bound to happen sooner or later.... It has turned out in our favor, for we still have a large group of veterans who have experienced many storms and have a thorough understanding of things. They were on the side of taking resolute action to counter the turmoil.... It was also inevitable that the turmoil would develop into a counterrevolutionary rebellion."
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Best wishes, The USC U.S.-China Institute -- a program of the Annenberg School for Communication and Journalism
Write to us at uschina@usc.edu. USC Pacific Asia Museum 46 North Los Robles Ave, Pasadena, CA 91101 Time: 2:00PM USC Pacific Asia Museum presents the discussion with artist Zhi Lin.
06/03/2014: Assignment China: Tiananmen Square
Gateway Christian Chur 11760 Gateway Blvd., Los Angeles, CA 90064 Time: 7:30PM Alan Chan Jazz Orchestra with special guest Wang Hong.
Central Plaza 951 N. Broadway Street, Los Angeles, CA 90012 Time: 5:00PM An exploration of Chinese food and culture presented by LA Chinatown & KCRW 89.9 FM.
06/18/2014: Wu Man's Final Concert: A Musical Dialogue The Huntington Library, Art Collections, and Botanical Gardens, Liu Fang Yuan 1151 Oxford Road, San Marino, CA 91108 Time: 7:30PM - 10:00PM The Huntington hosts the final performance by artist in residence Wu Man, including her commissioned composition created during her residency.
New York, NY The National Committee on United States-China Relations presents a discussion with Evan Osnos. 06/05/2014: American Philanthropy in China: Retrospective and Prospective Asia Society New York 725 Park Avenue, New York, NY 10021 Time: 4:00PM - 7:00PM The Asia Society New York presents a celebration of 100 years of philanthropy in China 06/11/2014: Fracking and China's Energy Revolution Asia Society 725 Park Avenue, New York, NY Time: 7:30PM - 9:00PM Asia Society presents an exclusive preview of a yearlong investigation by Mother Jones and Climate Desk into China's nascent fracking boom, followed by discussion of China's energy future. 06/13/2014: Screening: Wong Kar-wai's In the Mood for Love Freer Gallery, Meyer Auditorium Jefferson Drive at 12th St SW, Washington, DC Time: 7:00PM - 9:00PM The Freer and Sackler galleries hosts a screening of Wong Kar-wai's period romance In the Mood for Love. Below are exhibitions ending in the next two weeks. Please visit the main exhibitions calendarfor a complete list of ongoing exhibitions. ends 06/15/2014: Performing Images: Opera in Chinese Visual Culture SMART Museum of Art 5550 S Greenwood Ave, Chicago, IL 60637 One of the first major exhibitions of its kind in the West, SMART Museum of Art presents Performing Images, which focuses on the vibrant imagery, rather than ethnographic artifacts, of Chinese opera. Art Gallery of Greater Victoria 1040 Moss Street, Victoria, British Colombia, Canada V8V 4P1 China and Japan are two countries rich in myths, legends and folk tales. This exhibition will attempt to show how artists and craftsmen portrayed or rendered these subjects in their own way in various media. SMART Museum of Art 5550 S Greenwood Ave, Chicago, IL 60637 Since the mid 1990s, a number of Chinese artists have incorporated the visual vocabulary of Chinese opera into new art forms. This concise exhibition reveals the continued relevance of opera, both within contemporary Chinese society and within the experimental work of individual artists. Honolulu Museum of Art 900 S Beretania St, Honolulu, HI 96814 Chen Qiulin returned to her hometown in China where its entire population was relocated - a result of modernization. . USC U.S.-China Institute | 3535 S. Figueroa Street, FIG 202 | Los Angeles | CA | 90089 Tel: 213-821-4382 | Fax: 213-821-2382 | uschina@usc.edu | china.usc.edu |