Christina Yu Yu praised for her experience in researching and curating Asian art
USC and Pacific Asia Museum of Pasadena announced an affiliation on Nov. 18. The alliance between the museum and the university presents a wealth of collaborative opportunities for both institutions. Originally published by USC News.
Chen Shaoxiong (born 1962) was a founding member of the “Big Tail Elephant Group” of conceptual artists in Guangzhou in the 1990's. Today, he works both independently and collaboratively as a member of an Asian artist collective called “Xijing Men” as well as another Chinese artist collective, “Project without Space.” His art crosses mediums, including painting, photography, collage, and conceptual art.
Join us in a conversation between artist Zheng Chongbin and Stephen Little, curator and head of the Chinese and Korean Art Department, as they discuss Zheng's work and LACMA's recent acquisition, Turbulence, which was generously gifted by Stephen O. Lesser, a longtime member of the East Asian Art Council.
The Minneapolis Institute of Arts presents this exhibition of 30 hanging scrolls, handscrolls, and album leaves explores the beauty and variety of the figure painting genre at a time of great artistic sophistication in China.
Xu Bing's first solo presentation in Los Angeles explores the artist's two-decade-long career. One of the most active and influential Chinese artists living today, Xu Bing received his training in the Printmaking Department at the Central Academy of Fine Arts (CAFA) in Beijing.
Please join the U.S.-China Institute and PEN America for the West Coast launch of the PEN America report on social media in China, Forbidden Feeds. We will discuss the report and Chinese social media more generally.