Gary Rieschel, founder of Qiming Venture Partners, takes a look at how innovative China has been and how the US-China rivalry may spur or stifle innvation.
Pilgrimage and Identity Formation in Taiwan
Craig Quintero, Associate Professor, Chair, Department of Theatre and Dance, Grinnell College
SanSan Kwan, Associate Professor, Theater Dance and Performance Studies, UC Berkeley
In 1991, the Taiwanese experimental theatre company U Theatre started incorporating the Baishatun Matsu pilgrimage into their actor training. The actors joined thousands of Taiwanese pilgrims in the religious procession devoted to the goddess Matsu, walking 350 kilometers from Baishatun to Bei-gang in nine days. During the late 1990s, an increasing number of experimental theatre companies also introduced this traditional ritual practice into their performer training. Pilgrimage became a vital performative site and praxis in the native Taiwanese theatre community’s struggle to reclaim indigenous histories and construct a contemporary Taiwanese identity. In this presentation, I examine the incorporation of the Matsu pilgrimage into Taiwanese university anthropology, sociology, and theatre classes, and the manner in which this embodied learning continues to function as a dynamic vehicle for promoting direct engagement and dialogue with local Taiwanese communities.
Please join the USC U.S.-China Institute for an online discussion with Nick Cull to look at the impact of the Covid 19 crisis on the battle of images between the United States and China.