David Pierson, a staff writer for the Los Angeles Times since 2000, discusses his experiences of reporting in China.
Emblems of a Prosperous Life: Women’s Robes of Late Imperial China (1700s – 1800s)
Many of these garments exemplify a fashion trend of the 1800s: cuffs and hems embellished with embroidered bands, which in turn were often edged with strips of brocaded ribbon. (July 14, 2018 - June 30, 2019)
In the 1700s and 1800s, aristocratic Chinese women wore sumptuous clothing in and out of court. At court, women’s attire was highly standardized; outside court, they had greater flexibility to choose styles and designs that matched their personal taste. Robes arranged with medallion designs were considered the most formal. Robes with overall scattered schemes were less formal, and robes with only decorative borders and plain grounds were the least formal. Floral imagery, already popular for hundreds of years, became increasingly realistic at this time.
USC U.S.-China Institute hosted a screening of Better Angels (善良的天使), a documentary film written and directed by two-time Academy Award winner Malcolm Clarke, with post-screening discussion with co-executive producer David Dreier and producer William Mundell.
Please join the USC U.S.-China Institute for a book talk with journalist and author Leta Hong Fincher. Betraying Big Brother is a story of how the feminist movement in China against patriarchy could reconfigure the country and the rest of the world.
The USC U.S.-China Institute presents a discussion with Akira Chiba, the Consul General of the Japanese consulate in Los Angeles, on Japan's relations with China.