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Lee, "A modernist auteur, Edward Yang: The first decade of his film career (1982-1991)," 1995

USC thesis in Film.
August 26, 2009
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Chu-Chun Lee, M.A.

Abstract (Summary)
This thesis begins with an introduction of Edward Yang and his relationship to the Taiwanese New Cinema Movement. Yang's first thirty-minute film, Expectation, embodies general modernist spirits and foreshadows Yang's full development of modernist characteristics in his four subsequent full-length feature films. By applying general concepts of modernism as outlined by Malcolm Bradbury and James McFarlane and theories of modernist film proposed by Robert Phillip Kolker, William Charles Siska, and Peter Wollen, along with tenets of semiotics, cultural studies, structuralism, and authorship, this thesis analyzes That Day, on the Beach, Taipei Story, Terrorizer, and A Brighter Summer Day through the analysis of theme, narration, manipulation of images, sound effects, lighting, and composition. Since these films illustrate recurrent modernist attributes, this thesis confirms Yang's position as a modernist auteur in the first decade of his film career.

Advisor: James, David E.

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September 1, 2017 - 1:30pm
Pasadena, California

Celebrating the grand reopening of USC Pacific Asia Museum after a year of the seismic retrofit project, the museum will present an exhibit drawn from the museum’s extraordinary collection of over 2,700 costumes and textiles from China, Korea, Japan, India, the Himalayas and Southeast Asia.